Monthly Archives: January 2010

Tree Power Down: Timber!

In spite of my love of big trees, I can’t really categorize myself as a fanatical tree-hugger. I’m not one of those people who rejects all logging. Logging is a big business here in Washington State. I’ve lived in and around the timber industry most of my life. Family history alone has given me some logger tolerance.

Uncles worked for Weyerhaeuser and although I grew up in Seattle, my father bought a 40-acre stand of timber when I was in second-grade.  Dad’s shift schedule with the Seattle Fire Department allowed for many days at The Acres, as we called it. Over the years, Dad logged enough timber from the property to pay for it several times over.  When I was growing up, many weekends and most school holidays were spent in those woods.  Here’s an old photo of Dad, my sister and me with a load ready for the mill. I’m the short one. (I don’t get to say that very often.) (And don’t worry, as children, we were never actually allowed anywhere near active logging operations.)

Dad and Mom moved to The Acres after Dad’s retirement from the fire department. I actually helped Dad fell a couple of big trees at The Acres the spring of the year he died (of leukemia). I cherish the time I spent with him in the woods during his last year.  He was still harvesting a tree here and there at the age of 82. He was lucky to be where he wanted, doing what he loved, almost to the end. And, in spite of all the trees removed from The Acres over the years, much of it was still forested when we sold the property…. Balance.

The personal little patch of forest I share with Griz is bounded on two sides by a thousand-acre, well-managed tree farm.  There are few days when I don’t see fully-loaded log trucks on the road. But even with all those logs on the way to the mill, visible or expansive clear-cuts are a rare site. Washington State’s Department of Natural Resources and the timber industry itself do a pretty fair job now of managing the timber harvest and preventing blatant environmental abuse. As with all resource management – balance is the key. Not even private land owners are allowed to fall more than several trees a year without a permit now.  Replant criteria and watershed protections are strictly enforced, too.

Yes, there are still abuses around the edges. Timber theft occurs – it’s one reason we have a locking gate and security system. There are independents who complain about and circumvent every regulation. But things have monumentally improved (perhaps thanks to those fanatical tree-huggers).  The environmental rape that occurred as little as 50 years ago (and which extended back 100+ years before that here) is, fortunately, rapidly becoming just a sad memory.

If you’ve ever walked through a clear-cut area (or tried to) as I have, you’d understand that it really is impossible to clear-cut without creating devastation and tragic habitat destruction. But in the loggers’ defense, I understand why clear-cutting is (at least in some areas) the only economically feasible approach. Just getting logging equipment into the forest and moving big logs out once the trees are down creates a significant amount of devastation.  Once you’re there, taking everything and finishing the destruction as rapidly as possible makes some sense. But carefully monitoring and restricting how many acres can be clear cut at a time is important  – habitat preservation within a certain range of the cut is critical for recovery of refugee species after the timber harvest. Rapid replanting and environmental regeneration benefits everyone, including the timber industry.

Having an innate fascination with all things tool, Griz watches the History Channel’s Axmen periodically. Perhaps it’s because I only see those sections of the show that Griz calls to my attention, or perhaps it’s the way the show is edited in general; but in my opinion, the show should be subtitled “the world’s stupidest loggers.” And I don’t mean to diminish the risks loggers face moving all that weight around in unpredictable conditions (which Axmen actually emphasizes very clearly or perhaps over-emphasizes for dramatic effect). (Logging consistently comes in statistically as the most dangerous [fatalities per capita] profession over fishermen and firefighters.) But I have to file TV logging right up there with other “reality-TV” FUBARs – another sad example where selling the video is probably more profitable than the activity itself. And just like the other “reality” stars, there seems no shortage of loggers willing to voluntarily make fools of themselves for a few extra bucks.

But one thing you definitely won’t see on Axmen is reverence for the trees.  Trying to give commercial loggers the benefit of the doubt, I suppose it’s almost impossible to work that hard and fast trying to turn a profit and still have time (or any inclination) for reverence – for anything – let alone for each tree that falls.

I, on the other hand,  have only been involved in the felling of a few trees. I have always participated in single tree projects – diseased trees, leaners that were threatening buildings, that kind of thing.  I’m sure the commercial loggers would consider it almost recreational cutting -  arborist type work.  I wasn’t even the cutter – I was a cable puller or wedge driver, maybe a choker setter after the fact.  But each case for me demanded a certain reverence. It was always obvious from beginning to end that there was a death involved.  The death of the big old tree was always the final outcome.

There’s a distinctive sequence in the planned death of a big old tree. There’s the long clear droning of the chainsaw as the cuts are made; sometimes there’s the driving of wedges to create the final imbalance; and then there’s the moment when the tree gives in. There’s an agonizing stillness, almost imperceptible cracking noises at first, then slightly louder cracks – a noticeable shudder when the tipping point is reached. As the tree finally topples there’s a groaning sound – almost a death sigh – sometimes the echo of branches breaking (the death tree’s and any collateral damage), then the earth shakes with a distinctive thud when the big tree hits the ground.

This is the one opportunity James Cameron missed with Avatar. He should have depicted a quieter cutting of the big old tree. Rather than all that fire power, the stroke of a laser and then the awesome and devastating impact of a more true-to-life tree death would have been more dramatic. He could have even had the tree fall toward the audience in terrifying 3D. But perhaps, James Cameron has never really watched a big tree die.

I browsed YouTube for a video of what I’m talking about.  This is the closest I could find:

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Uh-oh. I feel my logger tolerance waning as I write.

Here’s the thing: The death of a big, old tree is a tragic, awesome and memorable event. At the very least, appropriate reverence should be required every single time.

Tree Power Up: Tall Inspiration

I’ve admitted here before that I love big trees.  When we first moved here,  I actually considered affectionately naming some of our big evergreens – but I changed my mind.  Naming them would be insulting, I think – it would imply a level of intimacy we may not deserve. After all, part of my love is for their wildness. Naming things always implies dominion or control.  We own these trees in paper legality only – control of them is illusory. It would diminish them to attach names. You never really own any other living thing – you just borrow it – to look at, to cherish or befriend, to use as a resource when necessary.

I’d also hate to get too attached.  Big trees fall. Some have to be cut down.

And most of our trees grew to their glory before we arrived here – without  the need for words or names. They just are, surviving tough conditions right where they stand, beyond analysis or judgments – and they’re mighty nonetheless. Passive endurance resulting in magnificent splendor. Unintentional artistry. (Though some would say it’s intentional.)

Look upward while standing quietly beneath a big tree. You cannot avoid feeling the power. Imagine what it takes to oppose gravity to that extent, processing sunlight, circulating nutrients and water to such great heights?

Big trees demonstrate the great wisdom of nature – they bend to buffeting winds, lean toward sunlight or bow to obstacles as necessary. When partially knocked down, they slowly redirect themselves back skyward, fortifying themselves even more at the bending point. They shed the unnecessary to better endure and prosper. I admire them.

Hard to believe such giants start out smaller than this volunteer western red cedar struggling for a foothold in our driveway gravel. This 3″ youngster was a seed last summer. I pot and replant more of these little buggers than is practical, but it’s hard for me to think of them as weeds.

The great tree symbology in James Cameron’s Avatar pleased me.  Avatar’s popularity demonstrates a positive direction in our collective consciousness. As little as twenty-five years ago, I doubt if Avatar (with or without 3D) would have captured such a large audience. Twenty-five years ago, only us die hard sci-fi types would have gone. Sure, there are probably more sci-fi enthusiasts now than ever before, but Avatar goes beyond sci-fi – it touches our growing ecological and spiritual awareness – our acknowledgment of an immutable connectedness.

A serendipitious tree article showed up in Griz’ Nuts & Volts Magazine last month. An Idaho company, Voltree manufactures a bioenergy harvester which attaches to a living tree and uses the tree’s metabolic processes to create electricity. The small electrical generators do not harm the tree. (At least we don’t believe they harm the tree.) Of course, the amount of energy you can generate this way is limited – these generators are used to power passive surveillance and scientific monitoring equipment. Still, it’s a kind of symbiosis that tickles me.

Voltree’s products are the kind of green technology we’re heading toward  (very slowly) – ways to use our resources without depleting or harming them.  We are starting to make those critical connections – artistically, figuratively, literally.

Of course, you get a lot more energy (quicker) from a tree if you chop it down and burn it to heat the shelter you’ve built with it’s carcass.  (Intentional shock value.)  See my next post Tree Power Down: Timber!

“In war, good guys always become bad guys.” – Howard Zinn

May he rest in the peace he so highly valued.

Howard Zinn (August 24, 1922 – January 27, 2010)

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More wisdom from Howard Zinn:

“There is no flag large enough to cover the shame of killing innocent people.”

“Nations are not communities and never have been. The history of any country, presented as the history of a family, conceals the fierce conflicts of interest (sometimes exploding, often repressed) between conquerors and conquered, masters and slaves, capitalists and workers, dominators and dominated in race and sex. And in such a world of conflict, a world of victims and executioners, it is the job of thinking people, as Albert Camus suggested, not to be on the side of the executioners.”

“How can you have a war on terrorism when war itself is terrorism?”

“If history is to be creative, to anticipate a possible future without denying the past, it should, I believe, emphasize new possibilities by disclosing those hidden episodes of the past when, even if in brief flashes, people showed their ability to resist, to join together, occasionally to win. I am supposing, or perhaps only hoping, that our future may be found in the past’s fugitive movements of compassion rather than in its solid centuries of warfare.”

Blogopause with Aside of Cat Blogging

Where’d she go? I realize it’s been almost three weeks since I posted.  That probably shouldn’t  bother me or anyone else at this point; though I do wish I hadn’t read all those best-blogging-practices articles before I started this blog. “Three posts per week plus three comments per week on other blogs” always sticks in [...]

A Ramble on Life’s Soundtracks, Old Music & New

Donna Woodka recently posted this video and the associated lyrics (following) on her Changing Places blog with one of her wonderful theme posts entitled Searching.

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As my life goes on I believe
Somehow something’s changed
Something deep inside
Ooh a part of me

There’s a strange new light in my eyes
Things I’ve never known
Changin’ my life
Changin’ me

I’ve been searchin’
So long
To find an answer
Now I know my life has meaning

Now I see myself as I am
Feeling very free
Life is everything
Ooh it’s meant to be
When my tears have come to an end
I will understand
What I left behind
Part of me…

As usual, Donna’s post was good thought-food, though for some reason I wound up thinking more about the music than about searching.  (Well, I did spend some time reflecting on what I might have been searching for in 1974 [the year Chicago released Searching So Long] and whether I found it or ultimately abandoned the quest.)  But the music from her post lingered. Part of the fun of looking back at the music is noticing how perspective gives the lyrics refreshing new meaning.

I wound up wondering at what point the music of our childhood (often our parents’ music) transitions to our own music and not theirs. For some of us, it’s that intentionally cultivated point where our preferred music alienates our parents, but that’s not always true. The methods for teenagers to alienate their parents are many and sundry – and always have been. Music may or may not be involved.

But if you’re a music person (even just an appreciator, like me), important memories always wind up tied to whatever music surrounds you at the time of any life passage, phase or event. Ever after, that music stimulates the memories of the associated events and vice versa. I suppose that’s not so great for those who hang on to the lousy memories – and there is some music which stimulates sad memories for me. But I don’t dwell on the sadness when I hear the music. I just reflect on the lessons learned or losses endured and charge onward to a different soundtrack (or playlist) to snap myself out of the maudlin if I get stuck there.

Of course, like other memories of youth, the music of youth often seems more vivid and lasting than some of the later additions. Psychologically, this has more to do with the youthful memories (and music) falling on a fresh canvas than it does (as some youngsters think) with the terminally declining mental acuity of us oldsters. Yes, there is such a thing as age-related memory loss – but not everyone over 40 is trapped in a downward spiral into dementia. In youth, many things, including music, are hooked into memory as extremely relevant because of their newness. Ultimately, experience diminishes the novelty factor and memories in later life are stored in a very crowded filing system. As we mature, we also get significantly more efficient at forgetting (intentionally or subconsciously) the irrelevant. And our definition of relevant changes dramatically – or should.

But I think it’s important not to get stuck only with the music of our younger years. I continue to allow new music to seep into my life. Since I don’t really have any other handy sources and I don’t spend very much online time listening to music, I frequently listen to fm radio while driving as a method of familiarizing myself with new music and younger artists. This gets me 5+ hours per week of serendipitous music discovery. Though listening to radio may itself be an archaic and outdated (hopefully, not dying) method, when I find something I like, I do have an iPod for downloading it.

Of course, whether a song is on the top 40 (if that still exists per se), which artists are dating each other, and what any of them are wearing is totally irrelevant to me.  But I never was into that aspect of the music scene. And I admit, I’ve never developed a true appreciation of rap. But as a writer, I’ve long appreciated lyrics, and rap has significantly improved the lyrics of all genres. There’s as much talent out there as ever.

The old music is important and meaningful, but I think it’s also important not to get stuck with only your old tunes. Like other retreats we inadvertently wander into as we age – closing the door on the new limits our perspective, our opportunities, and our readiness to keep up the searchand therein may be the passage from mature to just plain old.