Looking for a Blue Tarzan

I wanted to see Avatar again before I drew any definitive conclusions. Griz and I have been sci-fi fans forever, but Griz periodically dozed off during our second viewing (he’d only gotten a few hours of sleep the night before). And although I stayed awake, I have to admit I was more restless and impatient than I anticipated. The 3D shock-and-awe just didn’t compensate for the thin plot and dialog on the second run.  I was more irritated by the noise and violence.

Still – I’m glad I saw it again. The visual artistry is worth a second take. I noticed a lot visually that I missed the first time and I look forward to a sequel.

After all, it’s not as if James Cameron doesn’t warn us about the simplicity of his parable. If the stereotypical characters don’t jump out at you early on, by the time you hear the word “unobtainium,” you should have a clue.  James Cameron’s forte has always been special effects.  An old story with a new look works for him (and apparently his audience). Everyone who saw Titanic knew the outcome before they entered the theater.

I suspect James Cameron has great fun making movies, and I think he wants his audiences to have fun, too.  Nothing wrong with that.  Giving the Nav’i elongated canine teeth  is such a clear ploy for today’s vampire popularity that it’s laughable. He probably threw in many of Avatar’s other cliches and plot deficits just for fun, too (perhaps to see if we’d notice).  Cameron’s close enough to my age that I’m sure he saw the same old Johnny Weissmuller Tarzan movies on TV that I did as a youngster. In Avatar, the only thing missing when the deus-ex-machina beasties stampede in to save the Nav’i is this:

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And from what I’ve read, it seems most people (including reviewers) come away from Avatar with the message they took into the theater beforehand. The rejecters reject the same things they always reject, the admirers admire the same things they always admire.  Appreciating good art is like that – the best art offers each of us an intimate subjective experience. With Avatar, gamers get a techie game, spiritual seekers get transcendence (although some devout reject Avatar altogether as promoting paganism), environmentalists get ecological connectivity, pessimists get to feel depressed because Earth isn’t as sublime as Pandora, optimists get to hope Earth is becoming Pandora.  Lots of good guys and bad guys to go around – with cross-overs and a paradox or two.

Here’s what I walked into the theater with: I am fortunate enough to live in an area where Earth’s vibrant glory is readily accessible and visually competes damn well with anything you can create digitally. This, of course,  keeps me fairly optimistic about life in general and our environmental direction in particular. Though not religious – spiritually, I lean toward nonduality.

Here’s the message I took out of the theater: The  Nav’i R Us.  We are rejecting our small, violent selves and becoming something larger. We are connected to all life, but life itself is a school and there are often mortal risks associated with learning to make the important connections. Ultimately, caring and connectivity will prevail and we’ll choose to banish our small, violent selves.

But the best thing about Avatar is this: popular movies are a reflection of our cultural consciousness. Even if the ideas are presented in elemental terms to reach the masses, ticket sales in response to Avatar’s themes of environmental responsibility and global connectivity represent very positive trends.

I had fun, too.

Tree Power Down: Timber!

In spite of my love of big trees, I can’t really categorize myself as a fanatical tree-hugger. I’m not one of those people who rejects all logging. Logging is a big business here in Washington State. I’ve lived in and around the timber industry most of my life. Family history alone has given me some logger tolerance.

Uncles worked for Weyerhaeuser and although I grew up in Seattle, my father bought a 40-acre stand of timber when I was in second-grade.  Dad’s shift schedule with the Seattle Fire Department allowed for many days at The Acres, as we called it. Over the years, Dad logged enough timber from the property to pay for it several times over.  When I was growing up, many weekends and most school holidays were spent in those woods.  Here’s an old photo of Dad, my sister and me with a load ready for the mill. I’m the short one. (I don’t get to say that very often.) (And don’t worry, as children, we were never actually allowed anywhere near active logging operations.)

Dad and Mom moved to The Acres after Dad’s retirement from the fire department. I actually helped Dad fell a couple of big trees at The Acres the spring of the year he died (of leukemia). I cherish the time I spent with him in the woods during his last year.  He was still harvesting a tree here and there at the age of 82. He was lucky to be where he wanted, doing what he loved, almost to the end. And, in spite of all the trees removed from The Acres over the years, much of it was still forested when we sold the property…. Balance.

The personal little patch of forest I share with Griz is bounded on two sides by a thousand-acre, well-managed tree farm.  There are few days when I don’t see fully-loaded log trucks on the road. But even with all those logs on the way to the mill, visible or expansive clear-cuts are a rare site. Washington State’s Department of Natural Resources and the timber industry itself do a pretty fair job now of managing the timber harvest and preventing blatant environmental abuse. As with all resource management – balance is the key. Not even private land owners are allowed to fall more than several trees a year without a permit now.  Replant criteria and watershed protections are strictly enforced, too.

Yes, there are still abuses around the edges. Timber theft occurs – it’s one reason we have a locking gate and security system. There are independents who complain about and circumvent every regulation. But things have monumentally improved (perhaps thanks to those fanatical tree-huggers).  The environmental rape that occurred as little as 50 years ago (and which extended back 100+ years before that here) is, fortunately, rapidly becoming just a sad memory.

If you’ve ever walked through a clear-cut area (or tried to) as I have, you’d understand that it really is impossible to clear-cut without creating devastation and tragic habitat destruction. But in the loggers’ defense, I understand why clear-cutting is (at least in some areas) the only economically feasible approach. Just getting logging equipment into the forest and moving big logs out once the trees are down creates a significant amount of devastation.  Once you’re there, taking everything and finishing the destruction as rapidly as possible makes some sense. But carefully monitoring and restricting how many acres can be clear cut at a time is important  – habitat preservation within a certain range of the cut is critical for recovery of refugee species after the timber harvest. Rapid replanting and environmental regeneration benefits everyone, including the timber industry.

Having an innate fascination with all things tool, Griz watches the History Channel’s Axmen periodically. Perhaps, it’s because I only see those sections of the show that Griz calls to my attention, or perhaps it’s the way the show is edited in general; but in my opinion, the show should be subtitled “the world’s stupidest loggers.” And I don’t mean to diminish the risks loggers face moving all that weight around in unpredictable conditions (which Axmen actually emphasizes very clearly or perhaps over-emphasizes for dramatic effect). (Logging consistently comes in statistically as the most dangerous [fatalities per capita] profession over fishermen and firefighters.) But I have to file TV logging right up there with other “reality-TV” FUBARs – another sad example where selling the video is probably more profitable than the activity itself. And just like the other “reality” stars, there seems no shortage of loggers willing to voluntarily make fools of themselves for a few extra bucks.

But one thing you definitely won’t see on Axmen is reverence for the trees.  Trying to give commercial loggers the benefit of the doubt, I suppose it’s almost impossible to work that hard and fast trying to turn a profit and still have time (or any inclination) for reverence – for anything – let alone for each tree that falls.

I, on the other hand,  have only been involved in the felling of a few trees. I have always participated in single tree projects – diseased trees, leaners that were threatening buildings, that kind of thing.  I’m sure the commercial loggers would consider it almost recreational cutting -  arborist type work.  I wasn’t even the cutter – I was a cable puller or wedge driver, maybe a choker setter after the fact.  But each case for me demanded a certain reverence. It was always obvious from beginning to end that there was a death involved.  The death of the big old tree was always the final outcome.

There’s a distinctive sequence in the planned death of a big old tree. There’s the long clear droning of the chainsaw as the cuts are made; sometimes there’s the driving of wedges to create the final imbalance; and then there’s the moment when the tree gives in. There’s an agonizing stillness, almost imperceptible cracking noises at first, then slightly louder cracks – a noticeable shudder when the tipping point is reached. As the tree finally topples there’s a groaning sound – almost a death sigh – sometimes the echo of branches breaking (the death tree’s and any collateral damage), then the earth shakes with a distinctive thud when the big tree hits the ground.

This is the one opportunity James Cameron missed with Avatar. He should have depicted a quieter cutting of the big old tree. Rather than all that fire power, the stroke of a laser and then the awesome and devastating impact of a more true-to-life tree death would have been more dramatic. He could have even had the tree fall toward the audience in terrifying 3D. But perhaps, James Cameron has never really watched a big tree die.

I browsed YouTube for a video of what I’m talking about.  This is the closest I could find:

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Uh-oh. I feel my logger tolerance waning as I write.

Here’s the thing: The death of a big, old tree is a tragic, awesome and memorable event. At the very least, appropriate reverence should be required every single time.

Tree Power Up: Tall Inspiration

I’ve admitted here before that I love big trees.  When we first moved here,  I actually considered affectionately naming some of our big evergreens – but I changed my mind.  Naming them would be insulting, I think – it would imply a level of intimacy we may not deserve. After all, part of my love is for their wildness. Naming things always implies dominion or control.  We own these trees in paper legality only – control of them is illusory. It would diminish them to attach names. You never really own any other living thing – you just borrow it – to look at, to cherish or befriend, to use as a resource when necessary.

I’d also hate to get too attached.  Big trees fall. Some have to be cut down.

And most of our trees grew to their glory before we arrived here – without  the need for words or names. They just are, surviving tough conditions right where they stand, beyond analysis or judgments – and they’re mighty nonetheless. Passive endurance resulting in magnificent splendor. Unintentional artistry. (Though some would say it’s intentional.)

Look upward while standing quietly beneath a big tree. You cannot avoid feeling the power. Imagine what it takes to oppose gravity to that extent, processing sunlight, circulating nutrients and water to such great heights?

Big trees demonstrate the great wisdom of nature – they bend to buffeting winds, lean toward sunlight or bow to obstacles as necessary. When partially knocked down, they slowly redirect themselves back skyward, fortifying themselves even more at the bending point. They shed the unnecessary to better endure and prosper. I admire them.

Hard to believe such giants start out smaller than this volunteer western red cedar struggling for a foothold in our driveway gravel. This 3″ youngster was a seed last summer. I pot and replant more of these little buggers than is practical, but it’s hard for me to think of them as weeds.

The great tree symbology in James Cameron’s Avatar pleased me.  Avatar’s popularity demonstrates a positive direction in our collective consciousness. As little as twenty-five years ago, I doubt if Avatar (with or without 3D) would have captured such a large audience. Twenty-five years ago, only us die hard sci-fi types would have gone. Sure, there are probably more sci-fi enthusiasts now than ever before, but Avatar goes beyond sci-fi – it touches our growing ecological and spiritual awareness – our acknowledgment of an immutable connectedness.

A serendipitious tree article showed up in Griz’ Nuts & Volts Magazine last month. An Idaho company, Voltree manufactures a bioenergy harvester which attaches to a living tree and uses the tree’s metabolic processes to create electricity. The small electrical generators do not harm the tree. (At least we don’t believe they harm the tree.) Of course, the amount of energy you can generate this way is limited – these generators are used to power passive surveillance and scientific monitoring equipment. Still, it’s a kind of symbiosis that tickles me.

Voltree’s products are the kind of green technology we’re heading toward  (very slowly) – ways to use our resources without depleting or harming them.  We are starting to make those critical connections – artistically, figuratively, literally.

Of course, you get a lot more energy (quicker) from a tree if you chop it down and burn it to heat the shelter you’ve built with it’s carcass.  (Intentional shock value.)  See my next post Tree Power Down: Timber!

“In war, good guys always become bad guys.” – Howard Zinn

May he rest in the peace he so highly valued.

Howard Zinn (August 24, 1922 – January 27, 2010)

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More wisdom from Howard Zinn:

“There is no flag large enough to cover the shame of killing innocent people.”

“Nations are not communities and never have been. The history of any country, presented as the history of a family, conceals the fierce conflicts of interest (sometimes exploding, often repressed) between conquerors and conquered, masters and slaves, capitalists and workers, dominators and dominated in race and sex. And in such a world of conflict, a world of victims and executioners, it is the job of thinking people, as Albert Camus suggested, not to be on the side of the executioners.”

“How can you have a war on terrorism when war itself is terrorism?”

“If history is to be creative, to anticipate a possible future without denying the past, it should, I believe, emphasize new possibilities by disclosing those hidden episodes of the past when, even if in brief flashes, people showed their ability to resist, to join together, occasionally to win. I am supposing, or perhaps only hoping, that our future may be found in the past’s fugitive movements of compassion rather than in its solid centuries of warfare.”

Blogopause with Aside of Cat Blogging

Where’d she go?
I realize it’s been almost three weeks since I posted.  That probably shouldn’t  bother me or anyone else at this point; though I do wish I hadn’t read all those best-blogging-practices articles before I started this blog. “Three posts per week plus three comments per week on other blogs” always sticks in my [...]

The Seed of a Fearless Peace

There resides within each of us
The seed of a fearless peace.
In some it sprouts
Uncalled.
For others it rests
In deep dormancy
Beneath multi-colored
Layers of life’s soil.

The wise, the lost
And the questioning
Conduct a search,
Initiated perhaps by
Suggestion from another,
By curiosity or
By sobering need.

And once found
This fearless peace
Will break soil,
Though it may wither
Without nurture
Or acknowledgement,
Needing for further growth
A careful balance of
Sustenance and liquidity,
Both oft delivered by
The very soil of life
Through which
The tender sprout
First emerged.

The highest purpose
Of this fearless peace
Is to expand outward
Breaking through to
Sunlight
In such abundance
That it may sustain itself
Beyond its lowly roots
Sometimes entangling
In celebratory union
With other emergents
In a shared dynamic,
Which in symbiotic
Expression prompts
At least one other
To conduct a search
For the seed within.

You cannot buy this seed
Of  fearless peace.
Nor can any other
Gift it to you.
A proferred trellis
May provide
A temporary brace,
Timely fertilizer helps,
As does the
Occasional flashlight.
But ultimately
You must leap
Beyond the trellis,
Beyond even the bed,
Sometimes through darkness,
Launching yourself
In self-sufficient
Commitment -
Into thin air!

Remarkably,
The leap itself
Provides something
Of an indestructible
Bridge to quiet certainty,
Leaving you thereafter
Paradoxically more grounded
Rather than less
Like you’d think.

For now
The fearless peace within
Exists beyond uprooting,
A recognized
And constant presence
Within and without,
Unshakable ever after
Which with minimal vigilance
Becomes your chosen
And preferred
State of being
And resting place.

There are many names
For this fearless peace
In the multiple
Tongues of man.
With words and rituals
For the process
Of its discovery
And cultivation.
Use caution near those
Who would exclude
All names other
Than their preferred
As less perfect
In some way.
And question those
Who use exclusion,
Or any other rule,
As an excuse to
Cultivate fear
And stray from peace
Entirely.

There resides
Within each of us
The seed of a fearless peace,
Present before any words
And thus beyond all names,
Awaiting excavation
And destined to be found
By all of us and each of us
Sooner
Or later.

Trish Wareing, (c)  2009

Loving, Liking, & Living With: The Vista from the Long Haul

Michelle Obama, to Oprah on The Christmas at the White House special (via psychobabble):
“I think we have a wonderful marriage. I love my husband.  He’s my best friend. But I always like to talk honestly about it because I think about other young couples who think there are no struggles to get here. And there [...]

True Lover of Solitude

A poem – one of solitude’s trinkets. Or why I don’t write sometimes -
I often yearn for
The wordless place
Of quiet brushstrokes
And gently rustling nature,
Where falling backward
In total trust
Without direction
Feels as perfect
As its common opposite.
Where the restful process
Of simply being
Is creativity enough.
And this place,
By its simple perfection,
Without judgment, labels,
Goals or true effort
Can transform a nothingness
Into a [...]

“What is explicitly two, can at the same time be implicitly one.” – Alan Watts

“Everybody, by virtue of being a human being, is willy-nilly a metaphysician.”

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Speaker: Alan Watts

Music: Svefn-G-Englar by Sigur Ros from Soundtrack to Vanilla Sky

Posted on YouTube by redliterocket4 (Matthew Segall)

Special thanks to Twitteur extraordinaire @gregorylent for tweeting the link to this video.

October Balance

Stevens Pass, October 2008

Stevens Pass, October 2008

October is my favorite month. I like autumn generally and (here) October is the month that finds the perfect balance between summer and winter. Nature is quieting down, weather is revving up. Humans are settling some, too (at least temporarily) – school routines are set and efficient, holiday frenzies have not quite begun.

I always prefer quiet to frenzy. It’s part of my attraction to solitude.

October is also my birth month. Birthdays provide a day of license to celebrate ourselves  – incorporate some self-indulgence into the schedule without apology.  More importantly for me they are the annual opportunity to reflect on another trip around the sun – that pivotal personal reminder of the grand balance between the clearly temporary and seemingly eternal.

There is, apart from mere intellect, in the makeup of every superior human identity, (in its moral completeness, considered as ensemble, not for that moral alone, but for the whole being, including physique,) a wondrous something that realizes without argument, frequently without what is called education, (though I think it the goal and apex of all education deserving the name) – an intuition of the absolute balance, in time and space, of the whole of this multifarious, mad chaos of fraud, frivolity, hoggishness – this revel of fools, and incredible make-believe and general unsettledness, we call the world; a soul-sight of that divine clue and unseen thread which holds the whole congeries of things, all history and time, and all events, however trivial, however momentous, like a leashed dog in the hand of the hunter.  – Walt Whitman